Global Game Jam is a worldwide event in which over 20k “jammers” meet together in various locations around the globe to make games, and once again, we are hosting it at Cogswell! It is an intense 48 hour event in which programmers, artists, designers and audio folks are challenged to come together to build games from scratch. Best of all, every game produced is absolutely free to download once it’s finished. Admission is $40 for the general public, $20 for Cogswell Alumni, and $10 for any Cogswell or college student with a valid college email address. Price includes a pizza dinner Friday night and snacks throughout the weekend. Don’t miss the chance to be part of something huge as space is limited to 50 participants this year. Register soon! http://www.cogswell.edu/ggj2015
Archive for the ‘Events’ Category
Cogswell College Digital Media Management (DMM) program faculty and students attended the “Next Steps for Technology Forum” which was sponsored by Intel and Rainbow PUSH. Engaging in dialogue about increasing diversity in the employment and supplier pipelines over 300 people including VC’s, entrepreneurs, technology companies and community based organizations. Participants were treated to talks from Rev. Jesse Jackson and upper management from tech companies.
Creative Talent Network Animation Expo
If I were to describe an experience as life-changing, this would be one those experiences. Talent from all over the world was concentrated into a single, weekend-long conference at the Marriott Hotel in Burbank, California. Thousands of artists and animation enthusiasts gathered to participate in workshops, visit artist booths, have their portfolio reviews by industry professionals and make connections. Animation legends like Glen Keane and Eric Goldberg were there. More than once, I walked by a short, older man in a Hawaiian shirt and realized I’d just passed by one of the greatest names in animation. While I never got the chance to talk with Eric Goldberg, it was thrilling just having seen him in real life.
I participated in seven workshops, many of them concentrating on character design. A particularly useful one by Ty Carter, a visual development artist at Blue Sky Studios, focused on how to get a dream job right after college. Ty Carter made it very clear that a lot of hard work was required—and that if any of the workshop attendees were as good as the artists currently exhibiting at CTN, we would definitely get into the industry.
I had around four portfolio reviews; two by Nickelodeon from their Artist Program and Interactive Content Development departments, one by a professional (and very exhausted) character designer, and the last by an extremely talented character and design artist who actually volunteered to look at my portfolio and gave me feedback. Portfolio review is so extremely important—while getting invaluable critiques on how to make your art work better, you are also making connections and getting a really good look at what the industry standard is. There’s a certain degree of fear in what others will say about your work, but I was mostly eager to see in which areas I was succeeding and which ones I needed to work harder at. The reviews were very positive, and I left with a clear vision of what I needed to work on before application dates rolled around. I also gained a possible lead working with Nickelodeon.
In addition to workshops, book signings, and meeting artists, I got to see a screening of Song of the Sea, the newest animated feature by Cartoon Saloon in Ireland. A story about selkies, humans that are part seal in nature and can transform when they put on their coats, Song of the Sea is breathtaking in its 2D traditional intricacy. It’s wonderful seeing a traditional animation studio from Ireland making waves in such a 3D animation-focused industry.
CTN is an absolute must for any serious student in any area of animation. The connections are invaluable, and it is a privilege to be in the same room as some of the artists that attended this year. It’s a dose of reality to be around industry professionals of that caliber—while in school you’re in a completely different environment, but once you’re actually talking and interacting with people you’ve only heard about your entire life, it makes it that much more real. A weekend in Burbank among people in love with what they do is the perfect tool for inspiration and personal growth.
Sierra Gaston, Digital Art & Animation Student, Cogswell College
The CTN animation eXpo
Nov 21-23, 2014
Burbank Convention Center
800 604 2238 | 818 827-7138
The only event of its kind presents a unique opportunity that brings together the top professionals from both the traditional and digital worlds of animation. Hosted by the Creative Talent Network, this six year event has captured both the industry and local community’s attention as a resource for education, employment, inspiration, business opportunities and most of all FUN!
While the Expo has a very broad appeal, it is focused specifically on “THE TALENT” from the animation and surrounding communities. In an intimate setting at the Burbank Marriott Hotel and Convention Center thousands of attendees meet the faces behind the fantasy from yesterday, today and tomorrow over the course of 3 days. The event presenters include contributors from some of the highest grossing animated films of all time and are targeted to empower professionals, educate students and entertain the general public.
Of particular interest to attendees are the Live Demonstrations, Networking Receptions, Master Workshops, Panel Discussions, Business Symposiums, Recruiting and the Professional Exhibits offered throughout the Expo as well as the signature One-On-One Personal Consultations with creative professionals from top studios and educational institutions both local and international all happening during the first city wide proclamation of “Animation Week” just for this event.
With a demographic that includes both students and professionals it is our pleasure to work closely with each of our sponsors to ensure that every agreement is tailored to address your specific marketing objectives. Together we can make this event a memorable and successful one that will bring the community together as well as raise awareness for the animation medium each and every year.
“…AMAZING … ONE OF A KIND … BETTER THAN EVER … SO NEEDED IN OUR INDUSTRY…”
- See more at: http://www.ctnanimationexpo.com/axAboutUs.php#sthash.4zihYqnp.dpuf
Are you interested in sound design? What about sound design Sony Playstation? Senior Sound Designer Marc Farly is coming to Cogswell College to share his experiences and background, then open the floor to give students a chance to have their real world questions answered. Don’t miss it!
Michal Makarewicz visited Cogswell College on the evening of November 19th, 2014. Currently holding the title of Directing Animator at Pixar, Michal joined the company in 2003 and has worked on many of the company’s films to date. His body of work includes The Incredibles, Cars, Ratatouille, WALL-E, Up, Toy Story 3, Cars 2, and Brave, as well as numerous Pixar shorts. In 2008, he was awarded an Annie for “Outstanding Character Animation in a Feature Production” by the International Animated Film Society for his work on Ratatouille. Michal is also the co-founder of the Animation Collaborative, a school of animation founded by professional animators. Teaching since 2005, Michal has also been a lecturer as well as teaching classes at the online school, Animation Mentor, as well as instructing classes at California College of the Arts and the Academy of Art University.
The evening of November 19th was a special occasion, not only were students shown the workflow and artwork of an industry professional, they were also treated to an animation demo! This is quite rare, as most guest speakers do just that – speak and answer questions. Michal helped foster a loose and friendly atmosphere, answering any questions posed to him during his demo, no matter what they were. The presentation Michal gave started off with a 10 minute reel of his work at Pixar. He seemed hesitant to play it, citing time constraints, but the crowd wasn’t going to have that. After the video, Michal dove right into a detailed breakdown of his workflow including tips from his mentors, examples of how to streamline your work, and even throwing in an impromptu lecture on the philosophy and principles of animation. After his presentation, we were given a meet and greet opportunity while Michal set up his animation demo.
Michal started his demo using Maya and a free rig available to to the public. He imported some audio from “Liar, Liar” and proceeded to show us each and every step of his process, flying from menu to menu and making rapid changes and edits. He explained exactly why he was doing what he was doing, and would ask the audience for feedback on his work while he did it. Asking the crowd for feedback and suggestions made the session more interactive and laid back, which seemed to be greatly appreciated by those in attendance; everyone had a great time. After a short 40 minutes, Michal had fully animated a character including facial expressions, body movement, even mouth movements synced with the dialogue. And the crowd had helped!
The evening closed with Michal explaining his role at the Animation Collaborative, and a thank you. This truly wasn’t a night to miss for any hopeful animators or those interested in the field of animation. Hopefully we will have more speakers with approaches similar to Michal’s; interactive presentations that allow the crowd to get more involved.
Digital Art & Animation student at Cogswell College
After an hour and a half stuck in traffic on the way to Emeryville, California, a few misguided GPS turns while I was trying to follow my friend’s car, and a couple of mental debates asking myself if this was really still worth all of the effort, we pulled into Pixar’s parking lot. We were fortunate enough to be invited to an event hosted by Women in Animation, a group focused on the success of women in the field of animation. The group had arranged for Darla Anderson, a Producer at Pixar, to talk about her work and answer questions from the audience.
Darla K. has been the producer for films including Toy Story 3, Monsters Inc., and A Bug’s Life. She was even the inspiration for the name behind “Darla the Fish-Killer” in Finding Nemo, a prank that had been played on her by a co-worker during production.
The first 45 minutes were spent socializing and mixing with other members of Women in Animation. We met plenty of students from San Jose State, and some from the Art Academy of San Francisco while munching on hors d’oeuvres and sipping cocktails (huzzah!). At 7:00 pm, we were ushered into the auditorium.
From the beginning of her talk, it was clear Darla was an exceptional human being. She told us about her past, and her journey from a homeless teenager to a Pixar producer. It was evident from her personality that she never took no for an answer when it was something she wanted badly enough. She’d chased her dreams across California to San Francisco where Pixar had just started up and was undertaking a full-length animated film – a crazy feat in most people’s opinion. It took two years for her to finally get into Pixar, but once there, she worked up the ranks to land her first producer’s job on A Bug’s Life. Her talk was filled with humor and she spoke in high regard of the people she’d worked with over the course of her career, including Steve Jobs.
It was an amazing experience to hear one of the voices behind the films we all love today, and see the path she took to get to where she is now. It was also wonderful talking to so many other people who had the same passion for animation, and we all left Pixar inspired.
~ Sierra Gaston
Digital Art & Animation student at Cogswell College
Have you ever wanted to see an industry professional do an animation demo? Ever wonder how to develop your project? Cogswell College hosts Michal Makarewicz today to answer your questions and more.
Michal Makarewicz, Directing Animator at Pixar Studios and Instructor at Animation Collaborative, will provide an hour-long animation demo at Cogswell. Whether you are new to animation or more experienced, Michal offers tips and techniques for developing your animation project. The presentation is in partnership with Animation Collaborative – an organization that offers workshops throughout the year on various animation industry specialties.
It was a video game enthusiast’s paradise. Screens and consoles decked every wall of (nearly) every room of the two story Old Mint building in San Francisco, all displaying demos of games to be released within the next year. There was a crowd gathered around each display, each person eager to get a chance at playing the game. I was attending with a few other friends from Cogswell, whose brains I could audibly hear exploding as they took in scenery and games around them.
The turnout of indie game developers was amazing. Day of the Devs was hosted by Double Fine, so they had a room full of their own soon-to-be-released games such as Costume Quest 2 and even a remastered version of Grim Fandango, but the rest of the building was filled with small studio games like Night In The Woods and Knight Squad (my personal favorites), Classroom Aquatic, Push Me Pull You, Spy Party, Ikarus, and Please Don’t, Spacedog. A few of the games were played with an Oculus Rift headset. There was even a swag shop full of t-shirts and books related to the games. Outside in the courtyard was a bar and a stage where live DJ’s played music, and games were actively played on a large screen by their developers.
It was enough to make any self-declared nerd hyperventilate. Being as there were a thousand in attendance, the excitement in the air was palpable. Within the first ten minutes, I was thrown a controller and fighting in an arena with five or six other well-seasoned game players. My first thought was along the line of panic, as I was sure I was going to get my butt kicked by people who definitely played more often than I did, but by the first game I was hooked and throwing other players to their deaths.
In the game Classroom Aquatic, one player wore Oculus Rift headgear and was plunged into an underwater school for dolphins. The character they played was a student diver who hadn’t studied for a test. As a result, the player is forced to cheat off of the neighboring students in the room. The trick was to avoid being caught by the teacher. The game effectively gave the player knots in their stomach, and was especially nerve-wracking when players were caught and scolded by the teacher.
Day of the Devs was amazing for one huge reason; EVERYONE there was in love with games, whether they were fans or developers. As a result, there was a feeling of common purpose and enthusiasm. We were all there for the same thing, and it was exciting to be in a place where people from inside the industry and out of it mixed together in a gaming paradise.
During the course of the evening, we got to talk to Double Fine creators, several other indie game makers, and even managed some networking with other people in the game industry! It was absolutely a beneficial experience, and it made the prospect of graduation and getting to work in the industry more tangible. I’m looking forward to next year with Day of the Devs!
Tuesday, November 11th
12:45 – 1:30
Do you find yourself starting projects that never get finished, or find yourself swimming in awesome ideas and never do anything with them? Come see Nye on Tuesday to learn how to…
Tips from the industry. How to go from idea to final film, or final game, or whatever you are building. A little bit of project management, a little bit of creative advice and a little bit about the business and how to get your work out there.
Nye Warburton is an animator, cartoonist, game designer and artist. His graduate thesis film, Magnetism, landed him in the Los Angeles animation industry in 2004. He spent a decade at studios like Electronic Arts, Sony Imageworks, Fox, Blur, Proof, Digital Domain and The Third Floor. He has worked on 30+ high budget films including Monster House, Thor, Battleship, Men in Black III and Oblivion. He has had development deals with Fox Animation and Comedy Central, as well working on several independently funded animation and game projects.
On Thursday evening, the 25th of September 2014, Cogswell College was given the privilege of once again being host to the Animation Show of Shows. A collection of the most intriguing (and at times perplexing) animated shorts of the year from all over the world, the 16th Annual Show of Shows demonstrated a diverse number of contributors, ranging from studios like Disney and Pixar to small indie production teams.
Prior to the show, the two shorts that were easily the most anticipated by students were titled LAVA and Feast, from the studios of Pixar and Disney respectively. Feast followed the technique of an earlier short by Disney called Paperman, using 3D animation with the appearance of a 2D medium. With Feast, more concentration was placed on the language of shape and color in contrast to each other.
The story follows a stray puppy that is saved from the streets and given a home. The puppy is very lucky indeed, because his new owner is the kind of person who enjoys cooking for their pet on a daily basis. Consequently,
the pup is showered with bacon, eggs, spaghetti and meatballs. (At this point, I was feeling rather envious and really wishing I was the dog instead of a college student who doesn’t have time to cook.) Suddenly things change for the dog when his owner finds himself a girlfriend! *Gasp* Much to the dog’s horror (and to mine, being raised in an especially carnivorous family where meat takes up the top three food groups), his meaty, greasy diet is replaced by sprigs of parsley and brussel sprouts due to the girlfriend’s health-conscious influence. I won’t detail out what happens next, as the ending should be saved, but the resolution was pretty satisfying and it was easily one of my favorite shorts in the whole collection.
Other shorts in the program were more figurative instead of having an obvious plot (at the end of one, a friend turned around to me and whispered “What the hell did we just watch?”) and some in particular were on the depressing side and made the audience question life in general. One distinctive short was titled We Can’t Live Without Cosmos, which was simultaneously humorous and heartbreaking as it followed the story of two astronauts who were as close as brothers.
The biggest impact of all was made by the short titled Hipopotamy which the show’s curator, Ron Diamond, saved for last because – in his words – we wouldn’t be able to concentrate on any other shorts after we’d seen it.
Hipopotamy, by Piotr Durnala, framed humans in a light as if we behaved like hippos—the reverse of the concept of anthropomorphism. What we didn’t expect was that every character in the short was pretty darn naked in the most blatant sense. It was also disturbing as we found out that the humans behaved with extremely animistic instincts—children were not spared from violence, and women were subjugated to open force. It was a raw outlook on perhaps how similar humans’ behavior really is comparable to that of animals like the hippopotamus, and could be interpreted as a statement about things that desperately need to be changed about society.
After going to the Show of Shows last year, I was hooked and eager to see the presentations again this year. I definitely was not disappointed—I walked away inspired and feeling just a little bit different. It’s a refreshing perspective to see things from someone else’s eyes, and Ron Diamond’s collection achieved that for me once again.
by Sierra Gaston, Digital Art & Animation Student
Feast by Disney
Ron Diamond (left), curator of Animation Show of Shows with Cogswell College Dean (right), Jerome Solomon