He moved from the world of Rock & Roll bands to sound design. While that might seem like a strange journey, it worked well for Howard Bowler.
Following are the questions he tackles in the interview in Studio Daily.
- What do conspiracy theories sound like? (in reference to his recent work on “Lee Harvey Oswald: 48 Hours to Live.”
- What should sound-savvy viewers keep an ear out for?
- How is sound for TV evolving?
- What did his time in Rock & Roll teach him about sound design?
If you’re curious about his answers, read this piece in Studio Daily.