Complete with field recording examples, in this article in Designing Sound, Sound Designer, Richard Gould, discusses the five creative considerations he employs when approaching field recording sessions. He says examining these considerations in light of work in progress, “have helped me consider the vast possibilities when I’m creating and capturing sounds.”
The five considerations he discusses are:
- Shifting Perspective
Gould also talks about the four developmental stages his inner-ear went to become a better field recorder:
- Listening for interesting sounds in relation to context
- Listening for interesting aspects of a sound, regardless of context
- Listening whilst considering the possibilities and later altering sounds to make them interesting
- Conceptualizing interesting sounds in my head and creating the conditions to replicate that sound
He explains his creative philosophy as follows, “I find that the more I approach field recording as an art form, with elements of improvisation and performance, the more rewarding the process becomes.”
Which of these considerations do you think will be helpful in your sound design work?
About Richard Gould
Hailing from England, Richard Gould studied sound and music in the United States at Berklee College of Music, focusing on audio for film and games. He has worked on numerous indie game and film titles in a number of capacities and loves to explore the ways in which music and sound can tell stories. Richard Co-Founded the Berklee Sound Design Network and Hexany Audio, an audio post-production company.